Sunday, March 13, 2011

Rush 6: Citizen Lebowski Costume Ideas

I think the main thing to keep in mind (as we discussed) is coloring and style in the wardrobe. We wouldn't want to overwhelm the scene with bright colors or busy patterns but the actors also shouldn't fade into the background. We need to make sure the audience can recognize the age or status of the characters and how they might alter their appearance for certain situations. It's important to remember not to overly design any look so as to keep them looking natural and believable.

Prof. Carlyle should have a somewhat professional appearance in order to establish her rank. I don't necessarily see her as conservative but instead respectful of an office setting. Perhaps she wears a neutral (tan, grey, navy, etc) skirt or pant suit with a nice colorful blouse or an interesting top. Working at a design school, I think Prof. Carlyle would have some sort of flair, whether it's subtle or not so much. The color doesn't have to coordinate with the surrounding office but perhaps her style can be seen through the decor. Maybe we bring in some of "her" design work, or her students'. She might have an inspiration board or a collection to bring some sort of quirk to the office. I've seen many of the offices of our own professors at Cornish and every one of them have something unique about them. For example, Raymond Maxwell (in the Notions building H&S offices) covered his office walls with clocks, masks and all sorts of artifacts while John Wilson (on the 4th floor) hangs up images and keeps objects he likes, many incorporating humor. I would feel like a bit of a creep snapping pictures of their offices but both I walk by on a regular basis and you can get an idea of what you see through the windows.
I think Alex could go in a few directions. I'm not so sure if a personal style has been established for him yet but if it has, we could stick with that. I don't see him dressing up to visit the professor but he probably shouldn't look sloppy. He should bring in a more youthful look, maybe with a zip-up hoodie, casual shirt (t-shirt? button-up? plaid?), and jeans. Alex probably keeps it pretty simple so it wouldn't make sense to over think his outfit.

Like with Alex in the office scene, it would be nice to establish some sort of personal style to the crew. This will most likely depend on what the actor's individual style is but I notice that many of the actors at our school have very similar styles, with welcome variations of course. It's most important to keep the actors looking like regular college students that didn't have to think extremely hard about what clothes they would put on that day. As art school attendees, a couple of them might have more quirk than others and more color & pattern might come into play so that could be fun to work into their looks.

With the pitch scene, the characters should look a little nicer, assuming this pitch is a somewhat serious presentation. They should dress as they would as if going to an interview or audition, simple yet professional. They shouldn't look like they tried too hard but they still need to look put-together if they are presenting their idea to the class. I can see the girls in nice skirts or pants with a simple button-up blouse or sweater top. The boys would be similar with slacks and button-up shirts. Colors should be kept neutral or more subdued. (Navy, tan, gray, black, burgundy, etc.)

For all the costuming, we would of course have to work with what people already have, which would determine color and shape. However, I feel that my design ideas are simple enough that most of the actors would be able to pull something from their own wardrobes to work. If possible, I would like to see everyone's options for the particular scene and decide from there how their looks develop.

1 comment:

  1. Excellent input. Fortunately I'd looked at this post prior to shooting the bulk of the two crew-meeting scenes the other day (so I was able to act on your ideas for that scene to a degree).

    The scenes in Carlyle's office have yet to be shot. I'd like to use three or four of the sophomore design students' "Children of Men" posters as part of the set. (The posters would presumably be works of her students.) We used one of the posters for the scene we shot in ALEX and ROBERTA's living room recently, so there'd be a nice tie-in.(It would provide visual reinforcement of the nature of ALEX's and CARLYLE's relationship.)

    CARYLE is somewhat at odds with her institutional environment. (She sometimes senses that her mode of intellect doesn't easily register among her colleagues--not really a matter of comparative degrees of intelligence as conflicting styles of thinking.) Don't know how this might bear on her wardrobe--she's certainly professional, and as I say, her sense of intellectual discord is something that tends to catch her by surprise (rather than something that would drive her choice of clothing necessarily).

    I really like your input concerning the classroom pitch. This hadn't occurred to me, but MARIE and BETHANY would definitely both dress up a bit. ALEX is attempting to sabotage the crew's presentation, so we might have him in something caustic (a t-shirt with a vaguely inflammatory icon or slogan--not hateful so much as unprofessional). SAM'S character doesn't intend to show up at all until he has a last-minute change of heart, so his attire would logically be inappropriate as well, I suppose.....


    100/100

    Chuck

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